
Today, Robert Aldrich is best known for the 1967 ensemble war film The Dirty Dozen. It’s easily his most ambitious film in terms of wrangling a broad audience. But the reason that the director was able to land that gig was in part due to his earlier successes – and probably specifically because of Kiss Me Deadly.
In any survey course dedicated to American noir stuff, Aldrich’s flick is invariably mentioned for a variety of reasons: it’s artistic bent, the plot and what it attempts to encompass as well as that miffed ending that’s been debated for just about thirty years now. But whatever the reason for Kiss Me Deadly remaining within the realm of interesting filmic discussion, it’s just an entertaining hour and forty minutes.
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